Bergonzi pentatonics cd content pdf#
pdf with all 8 shapes applied hereĪpplying this method over challenging tunes will help you become a fluent and more conversational improviser. Using my original composition Tell Me as an example (stream the mp3 here), I have taken the eight pentatonic shapes beautifully illustrated in Master Saxophonist Jerry Bergonzi’s book Vol 2. The quasi-pentatonic line in bar 1 is harmonized in augmented fourths.
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Coltrane, Miles Davis and John Coltrane Compact Disc (Giants of Jazz CD. You can also use Bebop Scales, 4ths and other intervals, Triads, etc. In the mini-score of this composition, shown in the next example, only the note. period l25 and Bergonzis reference to oly-pentatonics, as a way of laying. Advance Music Bergonzi Melodic Rhythms Book and CD Inside Improvisation Vol. Using Pentatonics is only one of many devices available to practice chord changes. 2: Pentatonics provides a practical yet creative approach to assimilating. Applying Pentatonics to the Melodic Line The goal is to achieve continuity of the melodic line and draw the listener’s attention to it rather than the underlying chord structure. 2 - Pentatonics.pdf 7 MB 0 Essential Blues Guitar.pdf 5 MB 0 Blues Riffs for Guitar.pdf 26 MB 0 Blues Guitar Chords.pdf 21 MB 0 Chicago Blues Guitar Guitar Songbook.
Bergonzi pentatonics cd content full#
Full Video at https: Pentatonics provides a practical yet creative approach to assimilating pentatonics into. It is the opposite of what many beginning improvisers (including myself at one time) do when they play a phrase over one change, only to stop and re-start when the next change happens. Books by Jerry Bergonzi (Author of Bergonzi Jazz Line Book and CD Inside Improvisation Vol.
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By Russ Nolan Using Pentatonics to Connect the Chord Changes The phrase ‘Playing Over the Bar Line’ means starting a melodic/improvised line over one chord change and continuing it over into the next change (or more).